High Fidelity

• Rob Gordon (John Cusack) is the owner of a semi-failing record store in Chicago where he sells music the old fashioned way - on vinyl. He s a music junkie who spends his days at his store, Championship Vinyl, with his two employees Dick (Todd Louiso) and Barry (Jack Black) creating their all-time favorite top-five lists of songs. Although they have an encyclopedia knowledge of pop music and are co

From the guys who brought you GROSSE POINTE BLANK comes the absolutely hilarious HIGH FIDELITY. John Cusack (BEING JOHN MALKOVICH) stars as Rob Gordon, the owner of a semi-failing record store located on one of the back streets of Chicago. He sells music the old-fashioned way -- on vinyl, with two wacky clerks, the hysterically funny rock snob Barry (Jack Black) and the more quietly opinionated underachiever Dick (Todd Luiso). But Rob's business isn't the only thing in his life that's floundering --! his needle skips the love groove when his longtime girlfriend Laura (newcomer Iben Hjejle) walks out on him. And this forces him to examine his past failed attempts at romance the only way he knows how! For a rocking fun time, give HIGH FIDELITY a spin. It's sure to make your all-time top five list for comedies -- with a bullet.Transplanted from England to the not-so-mean streets of Chicago, the screen adaptation of Nick Hornby's cult-classic novel High Fidelity emerges unscathed from its Americanization, idiosyncrasies intact, thanks to John Cusack's inimitable charm and a nimble, nifty screenplay (cowritten by Cusack). Early-thirtysomething Rob Gordon (Cusack) is a slacker who owns a vintage record shop, a massive collection of LPs, and innumerable top-five lists in his head. At the opening of the film, Rob recounts directly to the audience his all-time top-five breakups--which doesn't include his recent falling out with his girlfriend Laura (Iben Hjejle), who has! just moved out of their apartment. Thunderstruck and obsessed! with La ura's desertion (but loath to admit it), Rob begins a quest to confront the women who instigated the aforementioned top-five breakups to find out just what he did wrong.

Low on plot and high on self-discovery, High Fidelity takes a good 30 minutes or so to find its groove (not unlike Cusack's Grosse Pointe Blank), but once it does, it settles into it comfortably and builds a surprisingly touching momentum. Rob is basically a grown-up version of Cusack's character in Say Anything (who was told "Don't be a guy--be a man!"), and if you like Cusack's brand of smart-alecky romanticism, you'll automatically be won over (if you can handle Cusack's almost-nonstop talking to the camera). Still, it's hard not to be moved by Rob's plight. At the beginning of the film he and his coworkers at the record store (played hilariously by Jack Black and Todd Louiso) seem like overgrown boys in their secret clubhouse; by the end, they've grown up considerably, with a cl! ear-eyed view of life. Ably directed by Stephen Frears (Dangerous Liaisons), High Fidelity features a notable supporting cast of the women in Rob's life, including the striking, Danish-born Hjejle, Lisa Bonet as a sultry singer-songwriter, and the triumphant triumvirate of Lili Taylor, Joelle Carter, and Catherine Zeta-Jones as Rob's ex-girlfriends. With brief cameos by Tim Robbins as Laura's new, New Age boyfriend and Bruce Springsteen as himself. --Mark Englehart

Pablo Honey

• Radiohead - Pablo Honey Brazil Import

London. Midnight. Unable to find a taxi, model-agency booker Kate (Franka Potente) heads underground. Waiting for the last subway train, she dozes off…and awakens to find everyone else gone. Gripped by panic, Kate realizes she’s locked in. But she is not alone. Lurking in the pitch-black maze is something unimaginable. Something that calls a deranged laboratory home. And something that’s determined to make this subterranean hell Kate’s last stop!

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Before Radiohead became the biggest critics' darling since Pavement or Dr. Dre, they were just another pre-Oasis British band with some loose indie ties, trying to gain some cred. Loopy enough to name this moody, often battering debut album for a Jerky Boys routine, they were also a lot more interesting when they hadn't yet learned the word "soundscape." "Creep," the miserably majestic single they now claim nearly ruined them, may not even be the best thing here; try "Anyone Can Play Guitar," an epitaph for River Phoenix before the fact. --Rickey Wright

The Window Facing Winter

• DVD 5

A young working-class wife and mother unlocks a freedom within her heart that she never expected. Don't miss this critically-acclaimed, award-winning romance.The beautiful and wonderfully named Giovanna Mezzogiorno joins the list of soulful Italian actresses with Facing Windows, a pleasant cinematic fancy. Her character is a married Mom in an ordinary apartment, whose life is affected by two things: her fascination with the handsome man who lives across the courtyard, and the sudden arrival in her home of an elderly amnesiac (played by the late Massimo Girotti)--a well-dressed man found walking on the street, dazed and lost. Turkish-born director Ferzan Ozpetek (Steam: The Turkish Bath) makes this simultaneously a slice of life and a vaguely fantastical situation. It probably all works out a little too neatly, but the unhurried pace and deep sympathy Ozpetek displays tow! ard his main characters is refreshing. And when in doubt, he points the camera at the face of La Mezzogiorno, which solves all problems. --Robert HortonAustralia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Italian ( Dolby Digital 5.1 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: Behind the scenes, Featurette, Filmographies, Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: Young married couple Giovanna (Giovanna Mezzogiorno) and Filippo (Filippo Nigro) have been married long enough to have become almost completely jaded by their lots in life, with most of their individual aspirations having been set aside some time ago. As their marriage begins to fall apart, the two encounter a strange old man (Massimo Girotti) who calls himself Simone since he can't seem to recall his real name or much about his past hist! ory. Filippo brings the man home to stay with them, which init! ially ir ritates Giovanna. Over time, she gradually befriends the confused old man and eventually notices a tattoo on his arm indicative of his being a WWII Holocaust survivor. Taking 'Simone' to an old Roman ghetto, she helps him remember his name (Davide) and his time spent in that very ghetto -- which includes recalling the very painful memory of his lover Simone's capture and murder at the hands of the Nazis. Meanwhile, Giovanna has been spending her free time impulsively peeping across the street at her attractive neighbor Lorenzo (Raoul Bova) -- who in turn has been spying on her. Giovanna is thus forced to decide between Filippo and Lorenzo, as well as possibly realizing a long dormant professional dream that her new friend Davide may be able to help her undertake. SCREENED/AWARDED AT: David Donatello Awards, ...Facing Windows ( La Finestra di fronte )US Compatible - Giovanna is a bookkeeper in a company which packs chickens. She is married to a man who has a precarious jo! b. First she starts being curious about a young man who lives in the block opposite hers, and then she falls in love with him. The relationship between the two becomes much stronger when she starts to find out more about him from an old man who bursts into their lives. The old man, obsessed with the memories of some things that happened n the long past autumn of 1943, has lost his memory and finds refuge in Giovanna.Import exclusive soundtrack to multi-national romantic drama, originally issued in 2003 & just released on DVD in the U.S., features the score by Gianfilippo Corticelli & one track, 'Gocce Di Memoria', performed by Giorgia. 17 tracks.Yapimci: Tilda Corsi, Gianni Romoli; Senaryo: Gianni Romoli, Ferzan Özpetek; Müzik: Andrea Guerra; Görüntü Yönetmeni: Gianfilippo Corticelli; Kurgu: Patrizio Marone; Sanat Yönetmeni: Andrea Crisanti; Kostüm Tasarimi: Catia Dottori -------------------------------- [Giovanna is a bookeeper in a company which packs chickens. She is married to a man who has a precarious job. First she starts being curious about a young man who lives in the block opposite hers, and then she falls in love with him. The relationship between the two becomes much stronger when she starts to find out more about him from an old man who bursts into their lives. The old man, obsessed with the memories of some things that happened n the long past autumn of 1943, has lost his memory and finds refuge in Giovanna.] -------------------------------- [Ferzan Özpetek bu dördüncü filmde, hafiza, ask ve yasam üzerine duygusal bir sorgulamaya giriyor. Dokuz yildir evli ve iki çocuklu genç bir kadin olan Giovanna ile kocasi Filippo'nun tesadüfen yolda yasli bir adamla karsilasirlar. Hafizasini kaybetmis bu yasli adamin hayatlarina girmesiyle genç kadinin da yasami degismeye baslar. Evliligi pek yolunda gitmeyen genç kadinin karsi pencereden gözledigi komsusuna duydugu platonik ask ve yasli adamin geçmisten yansiyan kirik ask hikayesi ikisinin de yasamlarini etkilemeye baslar. Genç kadin için artik yasamini sorgulama zamanidir. Acaba karsi pencerelerden görünen yasamlar neden cazip gelir, kendi yasamlarimizi degistirmek o kadar zor mudur?] Özel Seçenekler: [ - Kamera Arkasi - Çikartilmis Sahneler - 2003 David Di Donatello Ödül Töreni - Fragman - Diger Fragmanlar]Overburdened and stuck in a greying marriage, Giovanna takes to caring for the Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her ...Poetry. "In THE WINDOW FACING WINTER, the urgency of the beautiful andsometimes murderous urban landscape, set alongside the seductive, intricateoasis of the Japanese garden, renders possible a vision into 'sliver ofthe absolute.' With unflinching accuracy, LaFemina delivers a sacred, ifmomentary, world, laying bare its essential loneliness, its obstinatebeauty" --Robin Behn.