Air Bud (Special Edition)

• The original Bud that started it all is back in a Special Edition featuring an exclusive Dog-U-Commentary with the entire BUDDIES family. Buddy, the sensational real-life hoop hound with 22,000 career baskets under his collar, stars in this hilarious and touching Disney comedy critics cheered as irresistible family entertainment! When Josh Framm, a 12-year-old boy, finds himself in a new city with

Buddy, the sensational real-life hoop hound with 22,000 career baskets under his collar, stars in this hilarious and touching Disney comedy critics cheered as irresistible family entertainment! When Josh Framm, a 12-year-old boy, finds himself in a new city with no friends, he's too shy to try out for the basketball team. However, while practicing, he meets Buddy, a runaway golden retriever, who surprises him with his ability to score baskets. Josh and Buddy eventually make the school team, and the ! dog's extraordinary talents spark a media frenzy one that attracts Buddy's greedy former owner (Evening Shade's Michael Jeter), who wants to cash in on the dog's notoriety. Boy and dog must keep one step ahead of the brute while at the same time rallying their school team to the state finals! Get ready to be delighted, moved and amazed by Air Bud, a timeless Disney favorite.

Bonus Features:  Dog U Commentary With The Buddies, the Buddies Dish About The Story That Started It All, Original Theatrical Trailer
Stills from Air Bud: Special Edition (Click for larger image)

Breaking and Entering

• BREAKING AND ENTERING may lack the quality and scope of Anthony Minghella s previous work such as THE ENGLISH PATIENT and COLD MOUNTAIN, but it s an interesting, character-driven drama. Jude Law (CLOSER) plays Will, a landscape architect who succeeds in business but finds his personal life is tougher to navigate. He has been with Liv (Robin Wright Penn, FORREST GUMP) for years, but it s difficult

(Drama) A sexy and steamy story about a disparate group of Londoners connected by a string of burglaries and a passionate affair.The atmospheric and erotically charged Breaking and Entering reunites director Anthony Minghella with Jude Law (The Talented Mr. Ripley, Cold Mountain) and the haunting Juliette Binoche (The English Patient, for which she and Minghella won Academy Awards). Law fully invests himself as pre-occupied landscape architect Will Francis, who with his ! partner (Martin Freeman from the original British version of The Office), is heading a gentrification project in London's seedy, crime-plagued King's Cross neighborhood. At home, he and Liv (Robin Penn Wright), his morose Swedish-American girlfriend of 10 years, are increasingly estranged over the demands of his job and of caring for Liv's autistic daughter, a 13-year-old aspiring gymnast. Will, hiding his identity, begins an affair with Amira (Binoche), the mother of a youth who has twice ransacked Will's office. Amira is a Bosnian refugee with a fierce survival streak that is not above blackmail when she learns who Will is. This is Minghella's first original screenplay since his little-known romantic gem Truly Madly Deeply. The dialogue has Woody Allen pretensions: A cleaning woman who comes under suspicion for the break-ins invokes Kafka. A prostitute (Vera Farmiga giving the film's liveliest performance) has a philosophical bent. Will himself ham-handedly ! explains how he much prefers metaphors to straightforward comm! unicatio n (he'd love this film's title). An art-house film with an A-list cast and wrenching performances, Breaking and Entering couldn't get arrested in theatres, but it is a fine addition to Crash and other liberal-minded "them and us" dramas. --Donald Liebenson

Best in Show

• The tension is palpable, the excitement is mounting and the heady scent of competition is in the air as hundreds of eager contestants from across America prepare to take part in what is undoubtedly one of the greatest events of their lives -- the Mayflower Dog Show.Running Time: 89 min. System Requirements: Starring: Jennifer Coolidge, Christopher Guest, John Michael Higgins, Michael Hitchcock

Debut feature director Jay Berman (Christopher Guest), steers cast and crew through a typically tumultuous independent film Home for Purim, an intimate period drama about a Jewish family's turbulent reunion on the occasion of the dying matriarch's favorite holiday. When Internet-generated rumors begin circulating that three of Purim's stars -- faded luminary Marilyn Hack (Catherine O'Hara), journeyman actor and former hot dog pitchman Victor Allan Miller (Harry Shearer), and ingenue Callie Webb (Parker ! Posey) -- may be perpetrating Award-worthy performances, a rumble of excitement rattles the cast. Once "Hollywood Now" anchors Chuck Porter (Fred Willard) and Cindy Martin (Jane Lynch) pick up the buzz, Award fever infects the entire production. Unit publicist Corey Taft (John Michael Higgins), talent agent Morley Orfkin (Eugene Levy), and producer Whitney Taylor Brown (Jennifer Coolidge) all smell the sudden potential for a sleeper hit. As does Sunfish Classics President Martin Gibb (Ricky Gervais), who suggests some last-minute changes to the film that he feels will broaden the film's appeal. Meanwhile, Purim's screenwriters, Lane Iverson (Michael McKean) and Philip Koontz (Bob Balaban) grow steadily more horrified as they watch the first film adaptation of their work diverge from their original story. As the hopeful Purim team careens toward the end of production and the upcoming Award season, tenuous relationships and brittle dreams play out in unexpected ways...Christo! pher Guest (director of A Mighty Wind, Best in Show, and Waiting for Guffman) and his sparkling troupe of improvisational satirists return with a sardonic look at C-list (or perhaps D- or E-list) actors driven to the brink of madness by the possibility of winning an Academy Award. Marilyn Hack (the ever-brilliant Catherine O'Hara, Beetlejuice), a modestly talented character actress, hears of an Internet rumor that she might be nominated for the dubious movie she's currently making, Home for Purim. Soon buzz is flying about all the rest of the cast (which includes Harry Shearer and Parker Posey) and everyone starts clawing for as much attention as they can get while appearing modest and unambitious. Despite the movie's target being so familiar to them, For Your Consideration is not Guest & Co.'s best work--in an effort to give everyone in the huge cast face time, few of the characters gain any comic traction or have a particularly engaging storyline; the mockery stays on a fairly surface level. Nonethe! less, some of those surfaces are pretty funny: Fred Willard and Jane Lynch are devastating as a pair of predatory infotainment hosts, while Jennifer Coolidge (Legally Blonde) turns in a daffy and surreal performance. Throughout, the movie's anchor is O'Hara; the way her character is virtually crushed by the hype has a surprising richness and depth. She remains a cinematic treasure. --Bret FetzerA new comedy from the director of Waiting for Guffman, Best in Show and a Mighty Wind. Special Features includes Commentary by Co-Writers Christopher Guest and Eugene Levy - Over 30 minutes of Hilarious Bonus Material - Home for Purim Poster Gallery - Theatrical Trailer.A blue ribbon look at dog show participants and the pooches who love them.Christopher Guest, the man behind Waiting for Guffman, turns his comic eye on another little world that takes itself a bit too seriously: the world of competitive dog shows. Best in Show follows a clutch of dog owners as they prepare and preen their dogs to win a national competition. They include the yuppie pair (Parker Posey and Michael Hitchcock) who fear they've traumatized their Weimaraner by having sex in front of him; a suburban husband and wife (Eugene Levy and Catherine O'Hara) with a terrier and a long history of previous lovers on the wife's part; the Southern owner of a bloodhound (Guest himself) with aspirations as a ventriloquist; and many more. Following the same "mockumentary" format ! of Spinal Tap and Guffman, Best in Show takes in some of the dog show officials, the manager of a nearby hotel that allows dogs to stay there, and the commentators of the competition (a particularly knockout comic turn by Fred Willard as an oafish announcer). The movie manages to paint an affectionate portrait of its quirky characters without ever losing sight of the ridiculousness of their obsessive world. Almost all of the scenes were created through improvisation. While lacking the overall focus of a written script, Best in Show captures hilarious and absurd aspects of human behavior that could never be written down. The movie's success is a testament to both the talent of the actors and Guest's discerning eye. --Bret Fetzer